私人藏家 · 华沙 · 2024年创立
寻求
Igor Mitoraj
的作品
藏家正在寻找Mitoraj的作品，
不限状况、不限尺寸——
直接从您手中购买，简单便捷。
寻求
藏家正在寻找Mitoraj的作品，
不限状况、不限尺寸——
直接从您手中购买，简单便捷。
来自卖家
多年来我有一件米托拉伊的铜雕，却不知如何私下出售。回应十分迅速，报价也合理公正。整个过程处理得极为低调谨慎。
出售了一件继承而来的Centurione。藏家确切知道它是什么，并在24小时内提出了认真的报价。简单而专业。
无拍卖费用，无需等待。我发送了照片，当天就收到了报价。付款迅速且安全。强烈推荐给所有米托拉伊作品的收藏者。
拍卖行向卖家收取10–18%的佣金——加上4–12周的委托处理时间，之后还需等一个月才能收款。整个过程历时数月，且要从最终成交价中扣除佣金。直接出售意味着当天获得报价，几天内收款，无需支付任何佣金。
我的报价基于当前拍卖市场行情。我并非寻找便宜货——我是在为严肃的收藏添置作品，定价亦与此相符。每一次询价均以完全保密的方式处理：您的身份及任何您分享的作品信息，绝不会在任何情况下向任何第三方披露。
我考虑所有作品：青铜、大理石、版画、素描及独特物件。一切状况均可，从最小的Artcurial限量版到大型公共委托作品。如果您不确定所拥有的是否为真品，我可以免费为您提供诚实的评估，且无任何出售义务。
我是一位位于华沙的藏家，热爱Mitoraj的作品，希望为个人藏品添置新作。我直接从个人手中购买——无论是继承所得、多年前购入，还是只是觉得是时候转让。
没有作品太微不足道——我对小幅版画的兴趣，不亚于对大型青铜的兴趣。欢迎随时与我联系，完全没有任何压力。
所有版次和尺寸。Asclépios、Perseus、Tindaro、Eros——均可考虑。
原版雕刻作品。尤其欢迎Pietrasanta作品。
素描、速写、版画、印刷及签名限量版。
灯具、陶瓷及其他孤品。
我所寻求及已获得的作品——青铜、奖章、水晶、头像和躯干，均具有Mitoraj标志性风格。
显示 51 件中的 51 件
Gold-tone cast bronze medal with a standing figure amid stars and crescent moons — signed Mitoraj on the reverse. ~12 cm diameter
A rare pâte de verre crystal sculpture commissioned by the legendary French glassmaker Daum (founded 1877). Depicting a fragmented head in Mitoraj's signature style, this numbered piece bridges his classical themes with the luxury craft tradition of Nancy. 7.5 × 8 × 4.5 cm
Two dark-patinated bronze head fragments — Centurione I (1987, ed. 250) and Centurione II (1987, ed. 1500) — from Mitoraj's celebrated Centurione series. Each piece depicts a partial face evoking the damaged grandeur of ancient Roman statuary, signed and from limited editions of 1500. I: ed. 250 · II: ed. 1500 · each approx. 19 cm height
A single dark bronze head from the Centurione II series (1987), green-patinated and signed Mitoraj at the neck, numbered from an edition of 1500. The horizontal band across the face — a recurring Mitoraj motif — alludes to blindness, mystery, and the passage of time. 18.5 × 14 × 6 cm
Two iconic bronze torsos from 1988 — Persée (Perseus) and Asclépios — each on a travertine base, signed and from numbered editions of 1000. The square apertures piercing chest and collarbone are Mitoraj's hallmark: windows into the mythological soul, merging classical beauty with postmodern fragmentation. 38 cm (without base) · 48 cm total
One of Mitoraj's most intimate early works (1978). A polished golden-patina bronze head entirely enveloped in bandages — the ultimate expression of concealment and interiority. Signed and numbered from an edition of 250, published by Artcurial, Paris. On its original black marble base. 12 cm (without base) · 20 cm total
A small circular gold-patinated bronze relief (c. 1980s), signed Mitoraj, set on a wooden base. Two faces emerge in subtle profile — noses and lips barely surfacing through the swathed surface — in a quiet dialogue across the disc. A rare and intimate multiple from a limited edition. ~9 cm diameter
A silver-patinated bronze head entirely enveloped in tightly wound horizontal bands — one of Mitoraj's most powerful recurring motifs. Only the lips break through the wrapping, evoking silence, mystery, and concealed identity. Signed and from a limited edition of 250, published by Artcurial, Paris. On its original black cubic base. 11.5 × 11 × 7 cm (without base) · approx. 20 cm total
Three Persée bronzes side by side: left in warm brown patina, centre and right in green patina — all from the 1988 edition of 1000 + HC. Each shows the characteristic rectangular chest aperture at the upper left pectoral and sits on a travertine base. 38 cm without base · 48 cm total.
The warm brown-patina Persée from 1988 — upper-left chest aperture confirms the identification. Signed MITORAJ on travertine base, numbered from edition of 1000 + HC. 38 cm without base · 48 cm total.
A small, intensely observed bronze portrait head from 1984 — medal patina, signed at the base, from an edition of 1000. 14.5 × 7 × 5 cm. One of Mitoraj's rare non-mythological subjects. The rectangular aperture in the chest is characteristic of both Persée and Asclépios.
Second Persée bronze, 1988 — showing the sculpture from a different angle, emphasising the depth of the chest void and the quality of the green oxidised patina. Signed MITORAJ. 38 cm without base · 48 cm total.
The warm brown-patina variant of Asclépios 1988 — same edition (1000 + HC) as the standard green. The central chest aperture — symbol of the god of medicine — is clearly visible. Signed MITORAJ, numbered on reverse. 38 × 28 × 14 cm without base · 48 cm total.
A female torso in dark copper-brown bronze — two delicate hands emerge from the fragmentary body, one cupping the chest, one at the waist, in an intimate gesture of self-embrace. Artcurial edition, 1979. Signed and numbered from an edition of 250, on an original round travertine base. 20 × 14 × 7 cm (sculpture) · 28.5 × 14 × 10 cm overall
A striking sanguine (red chalk) lithograph depicting Tindareos — the mythological King of Sparta and father of Helen of Troy, rendered as a bandaged and fragmented head in fluid, gestural sanguine strokes on white paper. Signed Mitoraj lower right in pencil. A rare original signed print — Mitoraj's graphic works on paper are considerably scarcer than his bronzes.
A fragment of a lower face — lips, chin, neck merging into an upper torso — in warm reddish-brown patina. Signed MITORAJ at the lower left edge of the base. A collector bronze meant to be encountered at close range: complete despite its incompleteness.
A gilded bronze head entirely enveloped in draped fabric, mounted on a dark veined marble base. The gold patina and abstract rounded form of fabric folds make this one of Mitoraj's most enigmatic works — concealment as its own revelation.
A small silver-plated bronze bust — wrapped head and bound torso on a black marble base. The high-mirror chrome patina is exceptional among Mitoraj editions; the binding motif here reads as both punishment and protection, faithful to the myth of Prometheus chained. Signed MITORAJ.
A bronze breastplate (corazza) from 1987 — one of only five cast. The Corazza belongs to Mitoraj's late-1980s series of armoured and bound forms, in which the body is simultaneously protected and constrained by the same gesture. Signed MITORAJ. Edition of 25. approx. 25 × 29 × 10.5 cm
The wrapped bronze torso upright — the X-crossing of the binding straps across the chest clearly visible. Warm golden-brown patina. Signed MITORAJ. approx. 28–30 cm height
High-contrast monochrome of the wrapped torso — the diagonal X-crossing of the binding straps reads as pure geometry against the dark patina. The sculptural tension between concealment and form is most visible here.
The torso from the side — the horizontal binding at the waist and the warm, polished bronze of the chest in full light. The deliberate fragmenting of neck and arms is particularly evident from this angle.
A second view of the torso lying on its side — the depth of the bronze casting and the layered wrapping at the lower body. The ragged, open neck and shoulder edges are characteristic of Mitoraj's broken-body aesthetic.
A large frosted crystal sculpture — lips, nose and cheekbone emerging from the translucent surface in characteristic Mitoraj profile. The matte glass gives the face an ethereal, luminous quality. On a dark display base.
The most remarkable detail: a classical intaglio relief — a figure with flowing hair, looking upward — carved into the hollow interior of the crystal head. An interior world within the fragment.
The full form of Saturnia shown upright — the scale of the head fragment is clear. The ragged upper edge and the deep hollowing are the piece's defining features.
Light passing through the frosted crystal from behind — the translucent quality of the glass and the organic contours of the face lit from within. The sculpture transforms completely under backlighting.
A small golden-patinated bronze torso tightly bound by horizontal wrapping straps, on a polished black marble base. The characteristic Mitoraj gesture: the body simultaneously armoured and constrained.
Close view of the diagonal strap crossing the chest and the intricate surface modelling of the bound torso.
Full view on its black marble pedestal, showing the proportions of the sculpture and the clean geometric base that grounds the fragmentary figure.
Persée (1988) and Asclépios (1988) side by side — both in warm brown patina, each on its travertine base. The two canonical Mitoraj torsos of the late 1980s, united in a single view.
A small collector bronze of Ikaria — Mitoraj's winged figure, symbol of desire and flight that mirrors the myth of Icarus. Signed Mitoraj.
A bronze medal from the Conversation series — two faces in quiet dialogue across the disc. Signed Mitoraj.
Centurione II (1987) with its original presentation box. Ed. 1500 · signed MITORAJ.
Persée (1988) — signed MITORAJ on travertine base. Ed. 1000 + HC · 38 cm without base.
Persée (1988) — signed MITORAJ on travertine base. Ed. 1000 + HC.
Dark-patinated Asclépios on travertine base, signed MITORAJ.
Centurione II (1987) in its original foam-lined presentation box. Dark patina and MITORAJ signature clearly visible. Ed. 1500.
Large dark green-patinated Centurione I bronze head on a white marble cube base. The fragmented face tilted upward, characteristic of Mitoraj's centurion series. Ed. 250 · signed MITORAJ.
Dark copper-brown Kea bronze, 1979 — the two hands emerging from the fragmentary torso clearly visible, on the original round travertine base. Artcurial edition. Ed. 250 · signed Mitoraj.
Centurione II green-patinated bronze head, 1987 — the horizontal band across the face, Mitoraj's signature motif. Signed MITORAJ. Ed. 1500.
Centurione II green-patinated bronze head, second angle. Signed MITORAJ. Ed. 1500.
Silver keychain pendant — Testa Addormentata (Sleeping Head) created by Mitoraj for Amnesty International. Signed Mitoraj on the reverse with amnesty international inscription. A rare collectible piece.
Silver keychain pendant — Testa Addormentata (Sleeping Head) created by Mitoraj for Amnesty International. Signed Mitoraj on the reverse with amnesty international inscription. A rare collectible piece.
Bronze torso wrapped in crossed straps — Mitoraj's armour motif. Warm gold-brown patina, black marble base. Signed MITORAJ.
Side-front angle showing the diagonal strap crossing the chest. Warm gold patina. Signed MITORAJ on the base.
Right-side profile emphasising the sculptural silhouette and the rich copper-gold surface. Black marble base.
Front view showing the deeper dark-bronze tonality, with the crossed shoulder strap and collar detail defined.
Small collector bronze of Ikaria — Mitoraj's winged figure, symbol of desire and flight. Warm brown-gold patina. Signed MITORAJ.
Ikaria small edition from a different angle — the figure's outstretched form and dark patina base clearly visible.
Reverse of the Ikaria small bronze — showing the back of the figure and the dark square base with MITORAJ signature.
© mitoraj-search.com — photos free to use under CC BY 4.0: credit and link to this page required.
Research by Series
拍卖行提供价格透明度，但向卖家收取成交价10–18%的佣金，需要4–12周处理委托，再需4–8周付款。例如，一件拍出4,000欧元的米托拉伊作品，扣除30%佣金后卖家实际到手仅约2,800欧元——还需等待四至六个月。直接向我出售意味着当天报价、数日内付款，且无需支付任何佣金。
我根据当前拍卖市场水平付款。我不追求便宜——我寻求的是为严肃藏品添砖加瓦的作品，价格相应合理。所有咨询均严格保密：您的姓名、地址及您所分享的作品信息，绝不会向任何第三方透露。
多种因素决定米托拉伊作品的市场价值。版次数量最为关键：Artcurial的8版（Prométhée）与1500版（Centurione II）相比，稀缺程度不可同日而语。尺寸影响极大——同一主题，40厘米铜雕的价值是20厘米的三至四倍。包浆状态至关重要；过度清洁或修复的铜雕会大幅贬值。来源证明——Atelier Mitoraj的证书或拍卖记录——有助于增加信心，但对有据可查的版本而言很少具有决定性作用。原底座（特拉华石、大理石或木材，视作品而定）可提升大多数桌面铜雕的价值。
我接受各种状态的作品，无论有无证书、有无原底座。如果您不确定所拥有的作品是否为真品，我可以为您提供诚实的鉴定——无出售义务。
自2025年华沙拍卖会创下历史纪录以来，米托拉伊市场已大幅回升——Tindaro拍出689万兹罗提（约合160万欧元），创下波兰拍卖米托拉伊作品的最高成交价。这一结果证实了波兰及国际藏家对其作品的浓厚兴趣。早期Artcurial版本（Tête Secrète、Kea、Prométhée）是二级市场中最受追捧的作品之一。
不确定是否要出售？完全没问题——只需发送信息，如有照片请附上。我会亲自回复每条消息，绝无任何义务。
生于德国，母亲为波兰人，父亲为法国人，Mitoraj曾在克拉科夫艺术学院师从Tadeusz Kantor，后在意大利Pietrasanta建立工作室——与供应米开朗基罗大理石的同一采石场比邻。
他那些残缺的人物形象——包扎、截断、宁静——汲取自古典时代，却又完全诉说着现代境况。他的作品屹立于伦敦、巴黎、庞培，遍布全球各地藏品。
您的身份及任何作品均完全保密。不向任何第三方透露任何详情。
我提供直接、诚实的报价。无繁琐的估价、无压力——只是一次公平简单的交流。
一旦达成协议，款项将在48小时内到账。无拍卖周期，无画廊佣金。
Igor Mitoraj于1944年出生于德国Oederan，母亲为波兰人，父亲为法国人，在波兰克拉科夫附近长大。他在克拉科夫艺术学院师从Tadeusz Kantor学习绘画，后于1968年赴巴黎进入法国国立高等美术学院深造。1976年，他在巴黎La Hune画廊举办个人展览，正式开启雕塑家生涯——同年他首次造访Pietrasanta，这座托斯卡纳小城的大理石采石场和青铜铸造厂，此后四十年间成为他创作世界的中心。
他的标志性语汇——截断的躯干、包扎的头像、残缺的四肢、穿透身体的方形开口——汲取自古希腊罗马雕塑，却又完全诉说着现代境况。他说："一段手臂或一条腿，往往比完整的身体更有力量地诉说。"他的公共委托作品屹立于庞培、伦敦、巴黎、罗马、米兰、华沙、克拉科夫、班贝格、圣路易斯，以及亚洲各地。他的作品被大英博物馆、赫什霍恩博物馆、洛杉矶县立美术馆，以及波兰和意大利国家博物馆收藏。
Mitoraj于2014年10月6日在巴黎辞世，葬于Pietrasanta。自他去世以来，其作品市场大幅升值——受到波兰机构藏家、意大利画廊遗产，以及2025年华沙拍卖会上其巨型作品Tindaro以160万欧元创纪录成交的推动。如果您拥有Igor Mitoraj的作品并正考虑出售，请直接联系本网站背后的藏家。
真品Mitoraj青铜雕塑在颈部底部或躯干下部有刻印（非铸造）签名——大写的MITORAJ，或早期作品的小写igor mitoraj。背面有n/总数格式的版次编号。常见Pietrasanta铸造厂印记。请将签名、版次编号和整体作品的照片发给我，我将免费提供诚实的评估。
价值取决于作品、版次大小、尺寸、状况和当前市场行情。早期Artcurial版次（Tête Secrète、Kea、Prométhée）是最受追捧的。请发给我一张照片，我会给您诚实的评估。
不需要。Pietrasanta Atelier Mitoraj的证书很有价值，但并非必须——签名、版次编号和铸造厂印记是主要鉴定标记。许多真品流通时没有证书，尤其是1980和1990年代通过画廊出售的作品。我收购有无证书的作品，如需获取证书，也可为您提供建议。
我亲自回复每条消息，通常在几小时内，最迟24小时内回复。没有自动回复系统——您会直接收到我的回复。如果您发送了照片，我将在回复中对您的作品进行具体评估。
中国嘉德、保利拍卖和香港邦瀚斯是亚洲最活跃的拍卖行，买家佣金为15–25%。通过mitoraj-search.com直接出售给私人藏家可免除所有佣金，24小时内回复并提供免费估价。国际运输费用由我方承担。
版次规模是关键因素：Artcurial限量版（Prométhée、Kea、Tête Secrète，每版仅8件）比1000+版次的作品贵得多。尺寸也很重要——桌面尺寸约1,500–3,000欧元，大型纪念碑式青铜雕塑可达20,000–100,000欧元以上。请发送照片和尺寸，我会提供具体估价。
Collector Guides
波兰首都的公共雕塑
Wikimedia Commons, CC BY-SA 3.0 PL
Bronze · Zoliborz, ul. Wybrzeze Gdynskie 4
一座宏伟的青铜伊卡洛斯矗立在奥林匹克中心前——无臂，缺少一翼。米托拉伊对人类脆弱性和傲慢神话的冥想。
米托拉伊纪念性青铜时期最受追捧的作品之一。
Wikimedia Commons, CC BY-SA
22 bronzes · Skwer Hoovera
22座雕塑的户外展览，包括罗马圣玛利亚天使圣殿青铜门的铸件，在天使之门揭幕前数周安装。
这次临时展览的文献记录十分罕见，对藏家而言极具价值。
✦
无可用公共领域图片
Bronze · ul. Swietojanska 10，旧城
四米高的青铜门描绘着天使报喜，为恩典圣母圣殿400周年而创作。两个无翼天使守护在玛利亚像两侧。
一件独特的神圣委托，永久安置于华沙历史旧城区。
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无可用公共领域图片
Bronze, 5米 · ul. Bobrowiecka 6, Mokotow
一座五米高的男性躯干，用米托拉伊第一笔收入铸造——他对托斯卡纳的致敬。胸部被空洞穿透；内部，一张女性脸庞向外凝视。第三件也是最后一件铸件；其他两件分别在巴黎和米兰。
2009年由米托拉伊亲自揭幕。其私人位置使这一时期特别受追捧。
如果您持有米托拉伊的作品——联系我们。
Private collector · Warsaw, Poland · Seeking works by Igor Mitoraj worldwide
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